Fabian Hemmert, has embarked on a creative journey that reimagines the relationship between art and humanity. Born with an insatiable passion for exploring the depths of human existence, Fabian’s work serves as a bridge between the individual and societal dynamics of human existence in an era dominated by technology.

Fundamental questions shape his work: What defines our humanity? How can art aid us in understanding ourselves better? And how can art itself be redefined? At the core of his art lies a quest to understand the essence of being human. He sparks profound introspection. Fabian revels in challenging established norms and perceptions.

Fabian’s art is a departure from the conventional. His paintings are interactive artifacts designed to guide viewers‘ attention inward, towards their unique reactions to his creations. With this approach, he bridges the gap between people and art, challenging the notion that art is often perceived as something intellectual, elitist and remote. He views art as a distinct facet of humanity that sets us apart from machines and animals, striving to encourage as many people as possible to experience, confront and enjoy art.

The creative process of Fabian’s art extends far beyond the physical creation of the artwork. It truly comes alive when a viewer engages with the piece. Different art movements have inspired him, including Abstract Expressionism, Post-Minimalism, and Nouveau réalisme. Fabian, like many artists of the New Realism movement, incorporates various materials into his canvases, combining colours and textures in a neo-expressionist style.

His creative process resembles meditation, where he observes the resulting aesthetics without judgement. There is no right or wrong. This artistic philosophy is, in part, influenced by Roland Barthes‘ concept of the „Death of the Author.“ Instead of merely signing his works, he stamps the back with the statement, „I did not think anything while creating this painting.“ Each canvas bears an indelible mark, signifying that it was painted without any intention.

In the presence of a notary, Fabian signs a certificate asserting that he created the artwork without any artistic intent. This document, complete with his notarized signature, becomes an integral part of each piece. It also extends an invitation to viewers to discover their own personal meanings within the artwork.

By officially declaring his paintings as devoid of artistic intent, Fabian refrains from imposing his interpretation onto the viewer’s reaction. The seemingly abstract „Krickelkrackel“ paintings encouraging viewers to become an integral part of the artwork itself, fostering introspection and self-discovery.

He presented his work at multiple visionary events, including TED, CeBIT, Lift, the Chaos Communication Congress, the EuroVision TV Summit, and SXSW

Nicoleta Albei-Wigger, a visionary artist born with an innate passion for creativity, has carved a unique path in the world of contemporary art. Born and raised in the vibrant city of Berlin, her style merges traditional and digital art forms, resulting in a captivating fusion of creativity and technology.

Nicoleta’s fascination with art and technology began at an early age, nurtured by her innate talent and boundless curiosity. She embarked on her artistic journey as a self-taught painter, allowing her intuition and artistic instincts to guide her.

Throughout her career, Nicoleta has delved into various themes, often exploring the complexities of identity and values in an era dominated by digital transformation and a rapidly evolving society. Her work reflects the impact of information overload, especially in the context of the internet and social media, highlighting the resulting societal confusion and disillusionment.

Nicoleta Albei-Wigger’s art is a testament to her versatile and innovative approach. Her creations are characterised by the seamless integration of traditional and digital techniques. She fearlessly experiments with colour, form and technique. One of her notable techniques involves the use of geometric shapes that appear to divide, obscure or emphasize elements within her compositions.

Over the years, Nicoleta has formed pivotal partnerships with renowned institutions and venues in Berlin. Autohaus Dinnebier Berlin, Stilwerk Berlin (now LIVING BERLIN) and the Parkside Office Gallery have all enriched their spaces with her artistic brilliance.

Nicoleta Albei-Wigger’s artistic journey is a testament to her continuous growth and commitment to perfection. She is celebrated as a pioneer in the realm of exclusive large-scale art, with her name synonymous with quality, uniqueness, and emotional depth. Her artworks not only captivate aesthetically but also touch the soul, resonating deeply with viewers and leaving an indelible mark. Her ability to translate complex emotions and concepts into captivating visual narratives is nothing short of remarkable, making her a trailblazer at the intersection of art and technology.

Nicoleta Albei-Wigger’s work inspires, challenges and redefines the boundaries of contemporary art, proving that innovation and creativity know no limits in the digital age.

Nicoleta Albei-Wigger impressive exhibition history includes:

Ilja Freer, a self-taught painter, has woven the tapestry of his life into a captivating collection of abstract acrylic paintings. Born in the vibrant city of Berlin in 1976, his passion for painting and drawing started early and that set him on a journey of self-discovery and expression.

The 1990s played a pivotal role in Freer’s artistic evolution. As a teenager, he bore witness to the fall of the Berlin Wall, an event that left an indelible mark on his creative spirit. In the wake of this monumental event, Berlin itself seemed to undergo an overnight metamorphosis. Ilja and his friends embarked on a mission to breathe life into the previously grey city facades, infusing them with vibrant colours. They were budding graffiti artists, transforming the city into a welcoming canvas for those seeking change.

In 2019, Freer took a bold step and traded his spray cans for spatulas and brushes. This marked a period of prolific experimentation with colour and technique. He revelled in exploring reality’s deviations by pushing the boundaries of artistic expression.

Freer’s art has graced exhibitions in prominent cities such as Berlin, Munich, Madrid, Milan and the Art Fair in Innsbruck. His paintings have found homes on the walls of collectors and art enthusiasts across Europe and the United States. As an artist, Freer embodies a profound sense of urgency and energy, which guides him through his work. He oscillates between the comfort of routine and the thrill of curiosity and experimentation. His artistic mission revolves around taking the interplay of composition and colour to new heights, exploring fresh perspectives with each canvas.

Freer’s work is an exploration of the material presence of colour, its expressiveness and spatial impact. His paintings come to life through the juxtaposition, superimposition and removal of colour and coloured surfaces. Each colour interacts with its neighbours, forging harmonious or discordant relationships, ultimately contributing to the symphony of the whole composition.

The finished works often transcend mere abstraction, taking on the forms of objects, landscapes, flowers, animals and even people. Through the delicate dance of colour, light and form, he conjures space, movement and rhythm within his creations.

Crucially, Freer avoids being bound by the rigid constraints of colour theory, allowing himself to remain open to spontaneity. Through this, errors that might appear to disrupt the image have developed into fresh ideas and novel compositions.

Freer knows he cannot reinvent abstraction. However, he embraces the notion that he can offer a unique perspective through his work. In essence, Ilja Freer’s journey is a testament to the power of self-expression, the transformative influence of life experiences and the boundless possibilities of artistic exploration.

His recent exhibitions include:

Born in Berlin in 1979, Peer Kriesel’s artistic journey began as a creative force in the world of advertising. Today, he primarily channels his creativity as an artist and freelance designer in Berlin.

Kriesel’s work delves into the complex theme of identity and values in the era of digital transformation and digital society. His creations reflect the overload, particularly in the context of the internet and social media and the resulting societal confusion. Themes such as political disillusionment, influenced by war and a sense of lacking solidarity, as well as the conflict between traditional values and the allure of the new and beautiful, are all central to Kriesel’s artistic exploration.

His „Fratzen“ (grimaces), intricate tableaus and overpainting characterise his work. Geometric shapes appear to divide and partially obscure the world of figures, while highlighting others. These geometric elements serve as both disorienting and sometimes harmonizing, providing ample room for interpretation within the context of data overflow, digitalization and migration.

Kriesel’s „ME SO SMALL“ installations, using walls or objects like rare car models, might initially seem like acts of vandalism. He applies gestural strokes to create grimace drawings on the wall or model. This action devalues the precious object and yet, simultaneously elevates it to art. It’s this inherent contradiction that captivates the artist. In an age where the production and consumption of creative works or „beautiful“ things has become almost obsessive, the collective value system is shifting. Using the wall on-site as his creation, Kriesel counteracts the fast-paced times with a permanent installation.

The abstracted „Fratzen“ in the „FRTZNABSTRCTN“ series are created by using calligraphic lines in multiple layers and dimensions, reflecting the ever accelerating and increasingly abstract nature of the world.

Kriesel’s overpainted sea and land maps, as well as city plans, constitute his latest body of work. These maps, usually the canvas for Kriesel’s characteristic overpainting’s, are now rendered on a grand scale, transforming the delicate and intricate details into an almost infinite swarm of information.

Peer Kriesel’s impressive exhibition history includes:

Bellis Perennis, embarks on a mysterious odyssey through the realm of art. The anonymity of a pseudonym allows Bellis Perennis to delve deep into the intricacies of the human psyche.

The artist wants the work to serve as a mirror reflecting a myriad of emotions, thoughts and experiences that define the human condition. Questions of identity, existence and intricacies of human consciousness lie at the heart of the artistic exploration.

Bellis Perennis crafts visual narratives that transcend boundaries, inviting viewers into a realm where the anonymity is the medium. Each piece is an orchestrated journey into the unknown, challenging preconceived notions. What sets Bellis Perennis apart is not only the depth of artistic expression but also the artist’s unique method. In a surprising twist, Bellis Perennis often begins with old paintings acquired through eBay, repurposing them into transformative works of art.

The fusion of these influences and repurposed materials results in a captivating tapestry of colours, shapes, and emotions that captivate the observer.

Bellis Perennis is an enigmatic figure in the art world, choosing to remain anonymous, allowing the works to speak for themselves. This decision reinforces the notion that art, at its core, is a deeply personal and introspective experience, transcending the need for a recognisable creator.

The creations should encourage self-reflection allowing viewers to explore their own interpretations and emotions in response to the art. As Bellis Perennis continues to navigate the maze of artistic expression, the work remains a testament to the boundless nature of creativity and the timeless allure of anonymity.

Vera Kochubey, an iconic contemporary artist, has called Berlin her creative haven since 2011. Her portfolio boasts large-scale paintings and installations, renowned for their unique powerful style.

Born in the USSR, Kochubey’s artistic journey has been strongly influenced by both American and Soviet art. Seeking creative liberation, in the 80s she found visual respite from the disciplined Moscow reality in the vibrant world of New York’s POP art scene. Queer Culture and Camp have always held a special allure, profoundly influencing her art and designs, offering an escape from her dogmatic and stifling Soviet past.

Kochubey has integrated fashion into her portfolio since 2016. She is a true visionary, crafting her own world through her art. Collaborating with fashion designers, DJs, photographers and videographers underscores this portion of her work.

„СВОБОДА / FREEDOM,“ one of her masterpieces, created during the early days of the Ukraine war, addresses the universal longing for freedom from political machinations and dehumanizing narratives. This thought-provoking work found a permanent home at the Berlin Museum of Urban and Contemporary Art – „URBAN NATION.“

„KOCHUBEY“, as a brand has always been her dream. The concept is to use clothing as a canvas to embody Vera Kochubey’s art. Vibrant motifs elevate everyday attire into extraordinary „DRESS TO IMPRESS“ Items.

Vera Kochubey’s artistic journey is punctuated by an impressive list of exhibitions:

Explore the captivating world of Vera Kochubey’s art and experience the transformative power of her creations.